A Harmonious Debut: The Radiant Rangapravesha of Diya and Ananya Sharma

On August 17th, 2024, the Sutton High School auditorium transformed into a vibrant stage celebrating the rich heritage of Bharatanatyam as Diya and Ananya Sharma stepped into the world of classical dance. Under the expert guidance of Guru Smt. Sapna Krishnan, these talented sisters captivated the audience with their grace, precision, and profound connection to this ancient art form. Their Rangapravesha not only marked a significant milestone in their artistic journeys but also showcased the beauty and depth of Bharatanatyam, leaving an indelible impression on all who attended.

The recital opened with the Pushpanjali, a traditional invocation piece set to the raga Vijayavasantham, composed by Kalaimamani Sri Guru Madurai R. Muralidharan. Diya and Ananya's performance was a heartfelt devotional offering, characterized by serene and expressive movements that captured the essence of reverence. Their graceful gestures not only set a sacred tone for the evening but also invited the audience into a spiritual journey.

The performance continued with the Ganesha Stuti, a vibrant composition by Purandara Dasa set in raga Hamsadhwani. "Gajavadana Beduve" beautifully showcased Diya and Ananya's skill in merging devotion with artistry as they sought the blessings of Lord Ganesha. Their precise footwork and expressive movements radiated charm and sincerity, inviting the audience into a heartfelt moment of divine connection. Through this joyous tribute, the dancers exemplified the spiritual fervor inherent in Bharatanatyam, honoring the auspicious nature of the beloved deity, Ganesha.

The "Sharada Stuti," a beautiful composition by A V Krishnamachar, was a standout moment in the evening's performance, showcasing Ananya's exceptional artistry and devotion. Set in the enchanting raga Kalyani, this piece serves as a heartfelt homage to the goddess of knowledge, Saraswathi.

Each pose and transition reflected the preparation and respect that had gone into her performance, creating an atmosphere that resonated with the audience. Ananya's performance left an unforgettable mark, celebrating the divine wisdom of the Shringeri Sharadamba.

The recital featured "Mahakali," a dynamic portrayal of Goddess Kali and Durga, set to raga Bowli, composed by Kalaimamani Sri Guru Madurai R. Muralidharan. Diya delivered a powerful performance, embodying the fierce devotion and strength of Mahakali. Her energetic expressions and vigorous movements highlighted the goddess’s protective nature and her victory over the demon Mahishasura, effectively using the raga and tala to enhance the intensity of the piece.

The centerpiece of the evening was the Varnam, performed in raga Thodi, which beautifully explored episodes from the Ramayana, emphasizing Lord Rama’s valor and righteousness. Diya and Ananya delivered a captivating and technically proficient portrayal, skillfully illustrating the epic stories through expressive storytelling and precise rhythmic footwork. Their performance showcased both their deep understanding of the narrative and their artistic maturity, capturing the essence of Rama’s heroism with a profound sense of devotion and grandeur.

After the intermission, Diya and Ananya performed the Dashavataram, a vibrant depiction of Lord Vishnu’s ten incarnations. This popular composition by Shri G Ramanathan showcased the sisters' energetic performances and technical prowess. Each avatar was brought to life with expressiveness and vitality, creating a lively and engaging atmosphere that added continuity and reverence to the recital.

Diya's performance of "Mahadeva Shiva Shambo," set in raga Revathi, served as a meditative and uplifting piece to the evening's devotional segments. Composed by Shri Tanjavoor Shankar Iyer, this piece celebrates the divine form of Lord Shiva. Diya's graceful movements and heartfelt expressions beautifully conveyed Shiva’s mercy and benevolence, providing the audience with a profound spiritual connection. This segment highlighted the dancers' ability to express both the serenity and grandeur of divine worship, creating a tranquil and reflective atmosphere.

Ananya's performance featured a delightful Kannada Devaranama by Purandara Dasa, capturing the playful interaction between young Krishna and his mother, Yashoda. The piece reflected Krishna’s universal appeal, as he connects with people of all ages—children adore his pranks, teenagers admire his adventures, adults appreciate his wisdom, and seniors value his teachings. Through an expressive dance set to raga Thilang, Ananya vividly portrayed Krishna's playful antics and sincere entreaties, evoking a tender response from Yashoda, who smiles and embraces her beloved son. This performance beautifully captured Krishna's mischievous yet lovable nature, inviting the audience to immerse themselves in his enchanting leelas.

The evening concluded with a vibrant performance of the Thillana, set in raga Kadanakuthuhalam, composed by Dr. M. Balamuralikrishna. Diya and Ananya delivered an energetic and joyful rendition, showcasing intricate footwork and lively rhythms that left the audience exhilarated and impressed by their technical skill and artistic flair.

Following the Thillana, the recital culminated in the Mangalam, a traditional piece expressing gratitude to Lord Shiva, the panchabootha, the sun and moon, the mind, body, and soul, as well as the Almighty, their Guru, the musicians, and the audience. Diya and Ananya’s soulful performance in this segment reflected their appreciation for the support and guidance they have received, providing a respectful and meaningful close to the evening’s celebrations.

Amongst the sequence of the dance items, there were heartfelt speeches from family and friends. It was warmly emotional to hear from the girls' grandmother, while the friends shared interesting anecdotes about their dance journey. Madhumitha Nambiar supported their complex pieces by narrating a demo and guided the audience. 

The star-studded musician crew that accompanied Diya and Ananya during their Rangapravesha played a crucial role in elevating the entire experience. Each musician, with their exceptional talent, provided a rich musical tapestry that complemented the various pieces performed by the duo, enhancing the emotional depth and cultural authenticity of the recital.

Vocalist Sri Sangita Ratna E P Sudev Warrier, Mridangist Sri Nagarajan Shanmugalingam, Violinist Sri Anandhu Lal and Flute by Sri Ramani Thiyagarajan provided unwavering support to the girls. Guru Sapna Krishnan on the Nattuvangam enthralled the audience with her fast-paced rhythmic recitation of the jathis throughout the performance.

Anu Metra, the skillful makeup artist, transformed Diya and Ananya into divine embodiments,  reflecting the essence of the deities.

In summary, Diya and Ananya's Rangapravesha was a splendid showcase of their dedication, skill, and the rich cultural heritage of Bharatanatyam. Under the expert guidance of Guru Smt. Sapna Krishnan, they made a commendable debut, skillfully blending tradition with their unique artistic expression. The evening celebrated their hard work and commitment, leaving the audience with a sense of exhilaration and appreciation for the beauty of Bharatanatyam. This performance not only marked a significant milestone in their dance journey but also promised a bright future for the duo in the world of classical dance. 

Ensemble:

Nattuvangam: Guru Smt. Sapna Krishnan

Vocals: ‘Sangeeta Ratna’ Sri E.P Sudev Warrier

Mridangam: Sri Nagarajan Shanmugalingam

Flute: Sri Ramani Thiagarajan

Violin: Sri Anandhu Lal

Credits:

Emcee: Ramya Srinivasan

Photography: Jeyakumar Sathyamoorthy

Videography: Manoj Panicker

Makeup: Anu Metra

Sound: Satish Movvar

Lighting: Mark Buchanan (New England Stage Works)

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