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Chanchala Priyadarshini Srivastava 10/17/2019
On a beautiful Autumn evening in the historic town of
Lexington MA, a colorful troupe of dancers visiting from a faraway land dazzled
the audience with their spectacular performance. Saptvarna, the classical dance
troupe led by Padmshree Smt Aruna Mohanty presented an amalgamation of seven
different dance styles of India. They
told stories from ancient scriptures to the life of modern-day legend Gandhi
through their imaginative choreography and sensible music accompaniment. The first segment of the program ‘Sooryasnaata’, meaning
‘Bathed in Sun’, opened with an invocation of
the Sun by Bharatanatyam dancer duos Sravanthi Loganathan and Manasi
Prakash Karani. These well-trained disciples of Smt Anitha Guha displayed their
expertise by balanced footwork and facial expressions. Next, Mohiniattam artist Smt. Pallavi
Krishnan and Kuchipudi artist Shree Avijit Das came on stage, and through their
thorough moves, they effortlessly depicted the story of Sun as the creator and
sustainer of life. Then Kathak artists Smt. Monisha Nayak, Sushree Shobhana Jha
and Shree Siddharth Purohit entered the stage – through their brilliant
footwork and rhythmic expressions, these artists illustrated the Sun’s travel
from dawn to dusk. Odissi artists Smt Aruna Mohanty and her disciples followed
them and sketched a magnificent picture of the chariot and the poetry of the
Sun at The Konark Sun Temple, through their brilliant dancing. Last but not
least were the contemporary dancers Shree Janardan Raj Urs, Shree Chetan Prasad
Raju and Sushree Meghana Balaji, whose ingenious craft artistically depicted the
story of the Sun and his wife Samjna. The first segment concluded with all of
them dancing together in synchrony. After a short intermission the audience returned to their
designated seats and quietly and eagerly waited for the curtain raiser of the
second segment which was even more magnanimous and detailed to its core. The dance ballet titled ‘Gita-Mahaatmyam’,
was based on the ancient scripture ‘Shreemadbhagvatgita’, Shree Krishana’s
discourse to his disciple the great archer Arjuna. Shree Krishna said to Arjuna
who was quite perplexed at the battlefield of Kurukshetra, “As a person puts on
new clothes giving up the old ones, the soul accepts new bodies giving up the
old ones. The soul is indestructible and eternal by all means.†Bharatanatyam, Kathak and Odissi artists together analyzed
the verse “Vaasaamsi Jeernaani Yatha Vihaayaâ€, meaning “as one gives up worn
out clothesâ€. The Bharatnatyam dancers were dancing on Tillana, the Kathak artists
on Tarana, and the Odissi virtuoso on Pallavi: each had distinct techniques,
but were completely in synchrony at soul. They were followed by the
contemporary dancers who came on stage and interpreted the verse “Karmanye Va
Adhikaraste Maa Phaleshu Kadachanaâ€, meaning “you have the right to work but
not to the results thereofâ€, through a very robust choreography. Odissi artists illustrated the message of
verses “ Sangaat Sanjaayate Kaamah Kaamat Krodho Abhijaayateâ€, meaning “desire
comes through association and anger results from desire†and “Dharmasansthaapnaaya Sambhavaami Yuge Yugeâ€
meaning “I incarnate in time to restore order on the earthâ€. For the grand finale, all eighteen dancers
came together, keeping their individual identity, yet amalgamating to reflect
the one message of “Viswarupa Darshana†meaning “seeing the Universal ONE†,
The ONE where everything merge into one, color,
shape, and form to become one eternal truth AUMâ€. The sound of AUM was the grand finale, where the grandeur of
all became one. The knowledgeable audience, comprising dance gurus, classical
musicians, artists and entrepreneurs gave a standing ovation to Smt. Aruna
Mohanty and her talented crew. The local nonprofit organization India Discovery Center,
with support from many helping hands of local art connoisseurs and philanthropists,
was the key organizer and sponsor of this mega dance drama. The media partner
of the event was Lokvani, an online newspaper run by Ranjani and Anil
Saigal. Kudos to the India Discovery
Center for keeping the art and culture of India alive in the United States. You may also access this article through our web-site http://www.lokvani.com/ |
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