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Pallavi Nagesha 11/16/2017
In the
galaxy of wishing stars AIM for Seva shines bright, bringing joy and
fulfillment to countless through its programs. On November 11, 2017, generous
donors and selfless volunteers teamed up to engender hope, while giving New
England a glimpse of a true shooting star. Rapidly climbing to take her place
among the stalwarts of Bharatanatyam, Rukmini Vijaykumar enthralled us all with
a presentation of Abhimata, The Beloved. Through a portrayal of love and
devotion, Rukmini spread the message of Seva as envisioned by Swami Dayananda
Saraswati; to serve the world with compassion and selflessness. Those who are
engaged in true Seva understand that the only way one can achieve deep,
heart-felt service, is through love and devotion. To cultivate true altruism is
to relate to the universe from a place of profound self-awareness. Those of us
aiming for Seva must discover such a place within ourselves. Scriptures show us
many paths, both spiritual and mundane, following which we can reach this place
of awareness. Rukmini Vijaykumar has chosen dance as her path, and rightly so.
The Naá¹yaÅ›hastra says that stepping out of
your mundane self to become an empty vessel (pÄtra) enables us to become open
to many astounding experiences. Through these encounters, we can let go of all
that his holding us back and do, just for the pleasure of doing. This brings us
closer to fulfill our true dharma. As each of us travels down our own paths,
the common emotion binds us all: yearning. A deep and urgent demand to merge
with that source of joy, personified as a beloved, be it a lover, a child, a
parent, or God. Throughout
her performance, Rukmini stuck to this refrain, the yearning of the human to be
with the beloved. She
opened her repertoire paying homage to DÄ“vi, the female energy that
churns diverse emotions, creating the perfect storm to generate bliss. In the
pulsating rhythm of Rajkumar Bharati’s composition, Rukmini portrayed the destructive
force of KÄli, the nurturing essence of AnnapurnÄ“shwari, and the opposing nature
that embodies ArdhanÄrÄ«Å›wara. Rukmini moved from one
character to the next in skillful, dextrous and sculpturesque moves. She
followed this with a wonderfully lyrical Varnam composed by the maestro Lalgudi
Jayaraman. Set in a highly meditative rÄga
Charukeshi, this Varnam is taking Krishna to task for forgetting the nayika’s
heart’s desire. The message is subtle, yet profound and the emotion is intense.
As a mugdha, Rukmini moved gracefully thorough the many moods in this poem. Her
skilled nritta and nuanced abhinaya did perfect justice to the eternal quest of
humankind, searching for meaning between the right and wrong, between dharma
and adharma. A search that we hope will lead us to that place of selfless
devotion. Rukmini’s
skill of playing a mugdha (young ingenue) shone through her portrayal of PÄrvati in the modern
composition, Apasara NiranurÄga Åšambho. Composed by Dr. Shankar,
this poem takes us through a very human emotion, jealousy. Even the power of
the universe, Åšakti
herself, is not exempt from this green monster. Inspired by the squabbles of
her own parents, Rukmini shows us another facet of love and devotion that
requires selfless offering. Rukmini
displayed her unique innovative streak in the popular Tulasidas bhajan, Åšri RÄmachandra Ká¹›pÄlu. Instead of simply
showing the journey of the great lord, she depicts Rama, the beloved. With each
episode, she dwells on the emotions that lord Rama must have felt. Pride at
breaking the bow of Shiva, the passion of a beloved when taking Sita’s hand,
the sorrow of losing his beloved, and the frustration of the long separation.
By humanizing Rama, she is creating a medium where common persons can relate to
God, thus opening a path to the source of joy. She
concluded her performance with a scintillating Thillana in rÄga Kadankutuhalam. Composed
by Dr. Balamurali Krishna, this bubbly song concludes in a couplet, demanding
lord Krishna to hurry to him, the devotee. This brilliant composition renders
itself for some truly clever choreography. Rukmini proved her might as a
skilled performer as she glided through the Thillana just as skillfully as she
had with the rest of the MÄrgam.
Not only was I impressed by her brilliant performance, I was also touched by
her commendable dedication to Seva. With the brilliant career as a Bharatnatyam
dancer ahead of her, she is in a perfect position to influence many Rasikas and
herd them towards selfless service. Institutions like AIM for Seva give much
needed hope to the less fortunate, and keep the ideal of Seva alive. In the
words of Sheetal Pundir, a Seva
scholarship recipient who is now a post-doctoral scholar at McGill University,
how can these children lose hope when so many ‘sevaks’ have invested their
faith in them? I commend the work the AIM for Seva does and the dedication of
artists like Rukmini Vijaykumar to this noble cause. In one
fell swoop, Rukmini’s brilliant performance at the Regis College in Boston won
the hearts of many connoisseurs and raised much-needed funds for a very worthy
cause. I am honored to be a part of this wave and hope to see AIM for Seva
thrive. As for Rukmini, an honorary Bostonian, her dedication, skill, and
passion are sure to bring her to great heights. I look forward to many more
brilliant performances and see her star shine brightly in the galaxy of
Bharatnatyam dancers. You may also access this article through our web-site http://www.lokvani.com/ |
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